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| We quickly ran down the script so that Conner could read what he needed to read easier, we took Conner and his mum to the location and set up the gopro, it had to be propped up on a box because we needed the angle to be looking up as Conner would be looking down toward us |
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| This was taken just as a car was going down the road as we were filming so we had to pause and and just wait until it passed, unfortunately the shoot was right next to a road so we did have some interference with car noises and with the doogle on we didn't have much trouble from the wind but it wasn't a perfect situation, we made due with what we had though |
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| I made sure John was sat next to me since he was both the lighting and the sound operator so he could look over my shoulder and check see if the lighting was good enough and so the headphone cable wasn't stretching to far from the camera itself |
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| After the shoot we thought we ask a friend of ours who is the owner of a film themed restaurant called "Flix" if we could shoot the interview for the documentary in his cinema room, we unfortunately couldn't ask Conner nor his mum to stay since he had a schedule to keep and had some other buisness but in the interview I talked about the shoots we'd done so far and how editing might go. I believe it went well as i talked for a good period of time about how I was to balance everything in my roles |





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